Drone Videography Singapore: Permits, Costs, and Use Cases

Introduction: the shot everyone wants, in the country that regulates it hardest

Almost every Singapore business owner who has ever briefed a video has asked for the same thing at some point: "can we get a drone shot?" It is understandable. A slow rise over your factory in Tuas, a sweep across a condo rooftop in Novena, an aerial of your team on the site — these shots make a two-minute corporate video feel like it cost five times what it did.

Then someone mentions permits, and the conversation stops.

Here is the situation in plain terms. Singapore has one of the most tightly regulated drone environments in the world. The island is roughly 730 square kilometres, and a very large share of it sits inside protected airspace around Changi, Seletar, Paya Lebar, and Tengah. There are also height limits, no-fly zones over sensitive installations, and a permit regime run by the Civil Aviation Authority of Singapore. None of this makes drone videography impossible. It makes it a planned activity rather than a spontaneous one.

The businesses that get burned are the ones who treat a drone shot as a free add-on and discover on shoot day that their location needs a permit that takes weeks. The businesses that get great results treat the drone as a specific tool for a specific job, cleared in advance.

This guide covers what drone videography actually costs in Singapore in 2026, what permits you genuinely need and who is responsible for getting them, which business use cases justify the spend, and which ones do not. Everything is in Singapore dollars with Singapore examples, and we will tell you plainly when a drone is the wrong answer.

What is drone videography?

Drone videography is filming moving images from an unmanned aircraft — a remotely piloted camera that can hold positions and move along paths a person on the ground cannot.

The useful way to think about it is not "flying camera" but "a crane, a dolly, and a helicopter in one box." Before drones, getting a camera 40 metres up and moving smoothly meant renting a jib arm or a helicopter. A drone does it for a fraction of the cost, which is why the shot became ubiquitous.

Two terms worth defining, because they appear in every quote you will receive:

UA (unmanned aircraft). The official term used in Singapore regulation for what everyone else calls a drone. Your quote and your permit will both use it.

Operator permit versus activity permit. These are different things and people conflate them constantly. The operator permit sits with the pilot or the company flying — it says they are authorised to operate. The activity permit is tied to your specific shoot: this location, this date, this purpose. A licensed pilot with a valid operator permit still cannot legally film your building without the right activity clearance for that flight.

The practical consequence: when you hire a drone videographer, you are buying two things — a camera operator and a compliance process. Cheap quotes are usually cheap because they have skipped the second one.

How a Singapore drone shoot actually works

Most business owners have never sat through the planning phase, so it feels opaque. It is not. Here is the sequence, with realistic timings.

Step 1: location and airspace check (2 to 5 days before anything else)

Before quoting properly, a competent operator checks your exact coordinates against Singapore's airspace map. This determines everything downstream: whether you need a permit at all, how long it will take, and whether the shot you want is even legally possible at the height you want it.

This is the step to insist on. Ask for it in writing. "We checked the location and it sits outside restricted airspace, so we can fly to 60 metres" is a sentence you want before you sign anything.

Step 2: permit application (allow 2 to 6 weeks)

If your location requires an activity permit, the application goes to CAAS. Timelines vary with location sensitivity and how complete the application is. Two weeks is optimistic; four to six weeks is a realistic planning assumption for anything near controlled airspace.

Budget this as calendar time, not cost. The single most common way a Singapore drone shoot fails is a marketing team deciding in week one that they want aerials for a launch in week three.

Step 3: weather and scheduling

Singapore weather is the second most common cause of reshoots. Drones do not fly in rain and struggle in strong wind. The practical rule most operators use: schedule morning slots, and build a backup date into the contract. Late afternoon and early evening carry a materially higher chance of thunderstorms across most of the year.

Golden hour aerials look spectacular, but committing to a single 6.45pm slot with no backup is how a shoot day gets written off.

Step 4: the flight (2 to 4 hours on site)

A typical commercial shoot involves a pilot and, for anything complex, a second person acting as visual observer and safety spotter. Batteries last roughly 20 to 30 minutes each, so a half-day shoot means 6 to 10 battery swaps.

Expect to get 4 to 8 genuinely usable aerial moves from a half-day. Not 30. Each move needs setup, a rehearsal pass, and two or three takes.

Step 5: edit and delivery

Raw drone footage looks flat by design — it is shot in a low-contrast profile to preserve detail for grading. Colour grading, stabilisation cleanup, and cutting to music typically add SGD 600 to SGD 2,000 depending on the length and complexity of the final piece.

A worked example with real numbers

A logistics company in Tuas wants aerials of their new warehouse for a corporate video and social cutdowns. The honest arithmetic:

• Airspace assessment and permit application handling: SGD 350

• Half-day pilot with commercial drone and insurance: SGD 1,400

• Safety observer (required for the site): SGD 300

• Colour grade and edit, one 90-second piece plus three vertical cutdowns: SGD 1,200

• Backup date contingency (charged only if used): SGD 450

Realistic total: SGD 3,250 for six usable aerial moves plus a finished 90-second film and three vertical social cuts. Roughly SGD 542 per usable aerial move — which is the number worth holding on to when you compare quotes.

What drives the price up and down

1. Whether your location needs a permit

This is the largest single swing. An unrestricted location with no permit requirement can be a straightforward half-day. A location inside or adjacent to controlled airspace adds application handling, longer lead times, and sometimes additional safety personnel — commonly SGD 300 to SGD 1,200 on top.

2. Height and proximity to people

Flying at low height over an empty industrial plot is simple. Flying anywhere near crowds, roads, or residential blocks requires more planning, more people on the ground, and stricter conditions. If your shot involves people in frame, say so at quoting stage.

3. Drone class and camera

A prosumer drone shooting 4K covers most corporate and property work. Larger cinema drones carrying a full-frame camera cost meaningfully more to hire and to insure, and are worth it only when the footage will be intercut with cinema-camera ground footage.

4. Crew size

Solo pilot is cheapest. Pilot plus visual observer is standard for commercial work in built-up areas. Add a director or client liaison and you are into a full production day rate.

5. Insurance

Any legitimate commercial operator carries public liability insurance. If a quote is dramatically below market, ask to see the certificate. Uninsured operation on a commercial site is a risk that lands on you as the client, not just on them.

6. Whether ground footage is captured the same day

Drone footage almost never stands alone. A film made entirely of aerials is a screensaver, not a story. Capturing ground interviews and detail shots on the same day costs far less than a second production day, and is what turns aerials into an actual corporate video.

Rule of thumb for Singapore in 2026: a permit-free half-day drone shoot with a basic edit lands between SGD 1,800 and SGD 3,000. Add a permit and expect SGD 2,800 to SGD 4,500. Full production days combining aerials with ground footage, interviews, and a finished film run SGD 5,000 to SGD 12,000. Anything quoted under SGD 800 is almost certainly uninsured, unpermitted, or both.

What a permit application actually asks for

Most of the anxiety around Singapore drone permits comes from not knowing what is in the form. It is less mysterious than people assume. Here is what a competent operator will need from you, and what you should have ready before the conversation starts.

Exact coordinates, not an address

"Our warehouse in Tuas" is not enough. The application is assessed against precise geography, and a building that sits 300 metres either side of a boundary can fall into a completely different category. Send the operator a pin, not a postal code.

The intended flight area and maximum height

You will be asked how high and over what area. This is where briefing discipline pays off: an application for a tight flight envelope over your own land is far simpler to assess than a vague request to fly "around the site." Decide your shots first and the application gets easier.

Dates, including the backup

Include your contingency date in the application rather than treating it as a separate problem later. A rained-off flight with no permitted alternative date is the single most avoidable failure in the whole process.

Purpose of the flight

Commercial filming for marketing is a routine, well-understood purpose. Being specific and honest here — "corporate marketing video of our own premises" — is simpler than vague phrasing, which invites follow-up questions and delay.

Landowner or site permission

Separate from the regulator, whoever controls the land generally needs to agree. For industrial estates, business parks, and managed developments this is a distinct approval with its own timeline, and it is very commonly the step that gets forgotten. Start it in parallel, not afterwards.

Proof of insurance and operator credentials

Your operator supplies these, but you should see them. A public liability certificate and a valid operator permit are the two documents that separate a professional from a hobbyist with an expensive drone. Ask once, keep them on file, and the same question is answered for every future shoot.

Read together, the pattern is clear: the permit process rewards specificity. Businesses that know exactly where they want to fly, how high, on which two dates, and why, move through it quickly. Businesses that submit a vague request and hope for the best are the ones who wait six weeks and then get asked for clarification.

Drone versus the alternatives: what each actually gets you

Typical cost

• Drone aerials: SGD 1,800 to SGD 4,500

• Ground video only: SGD 1,500 to SGD 6,000

• Licensed stock aerials: SGD 80 to SGD 400 per clip

Lead time

• Drone aerials: 2 to 6 weeks if a permit is needed

• Ground video only: 1 to 2 weeks

• Licensed stock aerials: Same day

Shows your actual premises

• Drone aerials: Yes, exactly

• Ground video only: Yes, at ground level

• Licensed stock aerials: No, generic location only

Weather risk

• Drone aerials: High, needs a backup date

• Ground video only: Low if indoors

• Licensed stock aerials: None

Regulatory burden

• Drone aerials: Permit and insurance required

• Ground video only: Venue permission only

• Licensed stock aerials: Licence terms only

Best for

• Drone aerials: Property, large sites, construction progress, destination marketing

• Ground video only: Interviews, product, process, culture, testimonials

• Licensed stock aerials: Establishing shots and B-roll where the location is not the point

Reuse value

• Drone aerials: High, usable for years if the site does not change

• Ground video only: High

• Licensed stock aerials: Medium, competitors may licence the same clip

Worst failure mode

• Drone aerials: Permit refused or weather kills the day

• Ground video only: Looks flat without an establishing shot

• Licensed stock aerials: Viewers recognise it as stock and trust drops

The honest read: most Singapore SMEs need ground video far more than they need aerials, and should buy one or two licensed stock establishing shots instead of a drone day. Drone videography earns its cost when the physical site is genuinely part of what you are selling — a property, a large facility, a construction project, a venue. If your business happens in an office or a shophouse unit, the drone shot is decoration.

One nuance on stock: it is a perfectly respectable choice for a generic Singapore skyline establishing shot. It stops being respectable the moment a viewer could reasonably believe the building on screen is yours when it is not.

Five mistakes Singapore businesses make with drone video

Mistake 1: leaving permits to the last two weeks

A marketing team plans a launch, decides in week one they want aerials, and books a shoot for week three. The permit application has not started. Either the shoot happens illegally, or it is cancelled and the launch goes out without the footage everyone budgeted for.

Why it costs money: the pilot day rate is often non-refundable inside a short notice window, and the campaign timeline slips.

The fix: decide about aerials at the same time you decide the campaign date, not after. Treat permit lead time as a fixed six-week input into your content strategy planning, the same way you would treat print lead times.

Mistake 2: assuming the pilot handles the permit automatically

Many clients assume permit handling is included. Many quotes assume the client will arrange it. Nobody checks, and on shoot day nothing is cleared.

Why it costs money: a wasted shoot day, and potentially an illegal flight that exposes you rather than the contractor.

The fix: ask one direct question in writing before signing — "who is applying for the activity permit, and is that cost inside this quote?" Get the answer in the contract.

Mistake 3: shooting aerials with no story to hang them on

A business commissions a drone day, receives twelve beautiful sweeping clips, and then discovers they have no idea what to do with them. The clips sit in a folder. Six months later someone cuts them into a montage nobody watches.

Why it costs money: aerials are punctuation, not sentences. Without ground footage, a voice, and a point, they have no job.

The fix: write the script or at least the message before booking the drone. Decide which two moments in the film need an aerial and why. Then shoot only those.

Mistake 4: only delivering in landscape

The film is cut in 16:9, looks great on the website, and is completely unusable on Instagram Reels, TikTok, or YouTube Shorts — which is where most of the views would have come from.

Why it costs money: you paid for the most expensive asset in your content library and then locked it out of the highest-reach placements.

The fix: ask the pilot to fly some moves composed for a vertical crop, and specify 9:16 and 1:1 exports in the deliverables list. The same discipline applies across all paid creative, as covered in our guide to testing creatives properly.

Mistake 5: no backup weather date

A single shoot slot is booked, it rains, and the whole schedule collapses. Rebooking a pilot at short notice in Singapore often means waiting one to three weeks.

Why it costs money: a second mobilisation fee, plus schedule slip on everything downstream.

The fix: write a contingency date into the contract from day one, with a small hold fee. It is cheaper than a rebooking.

Quick reference by industry

Property and real estate

Best approach: aerials showing the site in context — proximity to MRT, greenery, the surrounding neighbourhood. Fly the approach, not just the building.

Realistic target: SGD 2,500 to SGD 4,000 per project. Measure enquiries per listing and time on the listing page.

Why it works: location is literally the product. An aerial answers "what is around it" faster than any floor plan or paragraph can.

Construction and engineering

Best approach: recurring monthly flights from identical positions to build a progress timelapse across the project.

Realistic target: SGD 800 to SGD 1,400 per monthly visit on a retainer. Judge it on tender win rate rather than views.

Why it works: a 30-second timelapse of a completed build is the single most persuasive asset in a capability deck, and it costs almost nothing extra once the flight is already routine.

Hospitality, venues, and events

Best approach: one establishing aerial plus substantial ground coverage of the actual experience. Resist the temptation to make it all aerial.

Realistic target: SGD 3,000 to SGD 5,500 for a full production day. Track direct booking enquiries.

Why it works: the aerial sets the scene and the ground footage sells the feeling. Neither works alone.

Manufacturing, logistics, and industrial

Best approach: aerials that communicate scale — yard size, fleet count, facility footprint — paired with ground footage of the process inside.

Realistic target: SGD 2,800 to SGD 4,500. Measure against qualified B2B enquiries, not impressions.

Why it works: in B2B, scale is a credibility signal. A buyer deciding between two suppliers is reassured by visible capacity in a way a specification sheet cannot replicate.

Education and institutions

Best approach: campus aerials for prospectus and open-house material, shot when the grounds are populated but not crowded.

Realistic target: SGD 2,000 to SGD 3,500. Track open-house registrations.

Why it works: parents assessing a school are assessing an environment. Showing the whole campus in one continuous move communicates scale and care simultaneously.

Retail and F&B

Best approach: usually skip the drone entirely. Spend the budget on product and interior video instead.

Realistic target: if you do fly, keep it to a single establishing shot under SGD 1,200.

Why it works — or does not: a customer choosing a cafe wants to see the food and the room, not the roof. This is the industry where drone budget most often gets misallocated, and where a modest investment in local SEO for a Singapore business will almost always return more than an aerial ever will.

When drone videography makes sense, and when to hold off

You are ready if most of these are true

• Your physical site is genuinely part of what you are selling — scale, location, or setting matters to the buyer.

• You have at least six weeks before the footage is needed.

• You already have, or are commissioning at the same time, ground footage to cut the aerials into.

• You have checked that your location is not inside restricted airspace, or you have started the permit process.

• You can absorb a weather-related reschedule without the campaign collapsing.

• You know which two or three specific moments in the final film the aerials will occupy.

Hold off if any of these are true

• Your business happens indoors. An office, a clinic, a shophouse unit, a studio — the roof tells the viewer nothing.

• You need the footage in under three weeks and your site needs a permit. Use a licensed stock establishing shot this time and plan properly for the next campaign.

• You have no ground footage and no budget for any. Aerials alone will not carry a film.

• You have never published video consistently. Build the habit with simpler, cheaper formats first — our guide to how content marketing works in Singapore covers where video sits in a realistic plan.

• Nobody has written the message. Beautiful footage attached to no argument is an expensive mood board.

The test we use internally: if you removed every aerial shot from the finished film, would the film still make its point? If yes, the aerials are decoration and the budget belongs elsewhere. If no, the drone is doing real work.

Real Singapore case study: a Tuas logistics operator

The business

A third-party logistics company operating a 9,000 square metre warehouse and yard in Tuas, serving B2B clients in electronics distribution. Roughly 40 staff. They had recently completed a facility expansion and were bidding for larger contracts against better-known competitors.

The situation

Their entire sales collateral was a PDF capability deck with four photographs, two of which were taken on a phone from the loading bay. In tender meetings, prospective clients repeatedly asked whether they had the capacity to handle larger volumes — a question the deck failed to answer visually.

They had also had one aborted attempt at drone footage the previous year: a cheap operator, no permit checked, shoot cancelled on the day when site security asked for paperwork nobody had.

Problems we identified

• No visual proof of scale. Their strongest commercial asset — a large, modern, well-run yard — was invisible in every piece of collateral.

• No permit process from the previous vendor, which had already cost them a shoot day and made internal stakeholders sceptical of trying again.

• No ground footage at all, meaning aerials alone would have produced an empty showreel.

• Landscape-only thinking — the plan was a single 16:9 video for the website, with nothing usable on LinkedIn where their buyers actually are.

• No measurement, so the previous attempt could not have been judged even if it had happened.

What we fixed

We started with the airspace check before quoting. The Tuas location sat outside the tightest restricted zones but still required an activity permit; we submitted five weeks ahead of the target date and built a backup date into the schedule from the outset.

We scripted the film first — a 2-minute capability piece answering the exact question buyers kept asking — and only then decided the aerials had two jobs: a rising establishing shot revealing yard scale, and a slow lateral move along the loading bays showing simultaneous vehicle activity. Two aerial moves, not twelve.

The same production day captured ground footage: the operations manager on camera, forklift and racking detail, and the scanning process. We delivered the 2-minute film in 16:9, plus four vertical cutdowns sized for LinkedIn and Instagram, plus six stills pulled from the aerial footage for the capability deck and tender submissions.

Investment

• Airspace assessment and CAAS activity permit handling: SGD 420

• Full production day, pilot plus visual observer plus ground crew: SGD 3,200

• Backup date hold (not used): SGD 250

• Edit, colour grade, 2-minute film plus four vertical cutdowns: SGD 2,400

• Six graded stills for print and tender documents: SGD 300

Total: SGD 6,570.

Results after six months

• Tender shortlist rate rose from 3 in 11 to 7 in 14 submissions — from 27% to 50%.

• Average time on their capabilities page rose from 41 seconds to 2 minutes 18 seconds.

• The four vertical cutdowns generated 31,400 organic LinkedIn views across six months against a previous baseline of effectively zero video reach.

• Qualified inbound B2B enquiries rose from roughly 2 per month to 5 per month.

• They closed two contracts in the period where the buyer explicitly referenced having seen the facility video before the first meeting.

• Zero permit issues, zero weather reschedules, one shoot day.

The honest caveat: a 27% to 50% shortlist improvement is not attributable to drone footage alone. The script, the ground footage, and the operations manager being genuinely good on camera all contributed. What the aerials did was answer the scale question in four seconds instead of three paragraphs — and that question was the specific objection losing them tenders.

What is changing for drone videography in Singapore in 2026

1. Vertical-first aerial composition is becoming standard

For years drone footage was framed for widescreen and then awkwardly cropped for social. That is reversing. Experienced Singapore operators now plan a portion of every shoot as vertical-native — flying tighter, closer, and with more vertical movement, because a rising move reads far better in 9:16 than a lateral sweep does.

Practically, this means asking for it explicitly at briefing. If your brief does not mention vertical, you will very likely receive a landscape-only deliverable and pay again later to fix it. The same reframing has already happened across paid social, where the shift toward vertical drove most of the recent gains in click-through rate on Meta.

2. Permit expectations are tightening, not loosening

As drone use grows, enforcement and documentation requirements have become stricter rather than more relaxed. Site owners, building managers, and industrial estates increasingly ask to see paperwork before allowing a flight, independent of the regulator.

What this means for you as a client: the era of a freelancer turning up with a drone and no documentation is closing. Ask for the operator permit, the activity permit reference, and the insurance certificate as standard. A professional operator will have all three ready without being chased.

3. Aerials are becoming a commodity, and the differentiator has moved to editing

Ten years ago an aerial shot was inherently impressive. Today viewers have seen thousands, and a generic sweeping shot no longer earns attention on its own. The businesses getting value from drone footage in 2026 are the ones cutting it tightly into a story — two seconds here, three seconds there — rather than presenting it as the main event.

The implication for budget allocation is direct: spend less on flying time and more on editing. A shoot with six good moves and a strong edit outperforms one with twenty moves and a lazy montage, at a lower total cost.

Frequently asked questions

Do I need a permit to fly a drone for business in Singapore?

For commercial purposes, yes — you need an operator permit for the entity flying, and in most cases an activity permit tied to the specific flight, location, and date. Requirements vary by location and by the weight of the aircraft. Confirm current requirements with CAAS or with a licensed operator before planning around any assumption.

How long does a drone permit take in Singapore?

Plan for four to six weeks. Straightforward locations can move faster, but anything near controlled airspace around Changi, Seletar, Paya Lebar, or Tengah takes longer, and incomplete applications get sent back. Two weeks is possible but not a safe assumption to build a campaign on.

How much does drone videography cost in Singapore?

A permit-free half-day with a basic edit typically runs SGD 1,800 to SGD 3,000. With a permit, expect SGD 2,800 to SGD 4,500. A full production day combining aerials with ground footage, interviews, and a finished film runs SGD 5,000 to SGD 12,000. Quotes under SGD 800 usually indicate no insurance, no permit handling, or both.

Is drone videography worth it for a Singapore SME?

It is worth it when your physical site is part of the sale — property, large facilities, construction, venues, campuses. It is usually not worth it for businesses that operate indoors, where the same budget spent on interior and product video will return far more.

Who is responsible if a flight is not properly permitted?

This is exactly why you should never leave it ambiguous. Liability can attach to the client as well as the operator depending on the arrangement, and site owners will generally hold you responsible for your contractors. Put permit responsibility in the contract in writing.

How many usable shots will I get from a half-day?

Four to eight genuinely usable aerial moves. Each move needs setup, a rehearsal pass, and two or three takes, and batteries last only 20 to 30 minutes. Anyone promising twenty distinct moves in a half day is describing a raw footage dump, not a shot list.

What happens if it rains on shoot day?

The flight is postponed — drones do not fly safely in rain or strong wind. This is why a contingency date should be written into the contract from the start, with a small hold fee. Rebooking a pilot at short notice in Singapore commonly means a one to three week wait.

Can I use stock aerial footage instead?

Yes, and for a generic Singapore skyline establishing shot it is a sensible, cheap choice at SGD 80 to SGD 400 per clip. It stops being appropriate the moment a viewer might reasonably believe the building on screen is yours. Never imply ownership of a property you do not operate.

Should aerials be delivered in vertical format?

Yes, specify it at briefing. Ask the pilot to compose some moves for a 9:16 crop, and list 9:16 and 1:1 exports in your deliverables. Retrofitting vertical from landscape-only footage is possible but always compromises the framing.

Do I need ground footage as well?

Almost always. Aerials establish context but cannot carry meaning, a voice, or a product. Capturing ground footage on the same production day is far cheaper than commissioning a second shoot, and it is what turns a set of pretty clips into a film that does a job.

How long does drone footage stay usable?

Two to four years if your site does not visibly change — which makes it one of the better cost-per-year assets in a content library. Reshoot when the building, signage, surroundings, or fleet changes enough to date the footage.

What should I ask for in the deliverables list?

Graded master file, 16:9 and 9:16 versions at minimum, a set of stills pulled from the footage for print and decks, and the raw files if your contract allows. Also confirm usage rights in writing, covering paid advertising and print, not just organic social.

Conclusion

Drone videography in Singapore is not hard because the flying is hard. It is hard because the planning window is long, the airspace is genuinely constrained, and the shot is so appealing that businesses commission it before deciding what it is for. Those three things together explain almost every disappointing drone project we have seen.

The businesses that get real value do three unglamorous things. They start the permit conversation at the same moment they set the campaign date. They write the message before they book the pilot. And they treat aerials as two or three precise moments inside a larger film rather than as the film itself.

What has changed for 2026 is that the aerial shot has stopped being impressive by default. Viewers have seen it. The value has moved from having the footage to using it well — vertical-native framing, tight editing, and a clear argument the footage is supporting. Spend less on flying time, more on the edit, and be honest with yourself about whether your roof is actually part of your pitch. For a lot of Singapore businesses, it is not, and that is a useful thing to know before you spend four thousand dollars finding out.

Get a free video and content review

If you are weighing up a drone shoot and want an outside read before committing budget, PaperCutCollective offers a free video and content review for Singapore businesses. No sales pitch, no obligation, and an honest answer including "you do not need a drone for this" when that is the truth.

In the review we will look at:

• Whether your site actually needs aerials — a direct assessment of whether the physical location is part of your sale or just scenery.

• A preliminary read on your location and likely permit lead time, so you know whether a realistic shoot date is four weeks or ten before you plan around it.

• What your existing video assets are missing, and whether ground footage, editing, or format coverage is the cheaper fix.

• Where your video is failing to reach people — usually a landscape-only library locked out of vertical placements.

• A costed production scope with a specific number, a specific shot count, and a specific deliverables list, so you can compare quotes properly instead of guessing.

We handle social media video production and content marketing for Singapore businesses across property, industrial, hospitality, and professional services. If a drone is not the right call for you this quarter, we will say so and suggest what is.

Book your free video and content review and we will come back to you within two working days with a written assessment.